SIGNED COPY

Visceral, violent and yet so iconic, here comes a series of images of the 70s Japanese yakuza gangs. “Flash Up” represents this special time of Japan: a country had hit the record of the second highest GDP in the world but was actually trapping itself with chaos, both socially and economically. Guys with pompadour, biker gangs, yakuza tattoos, street violence…. The images reflect the faces from the darkest time and ought not to be missed.

Living in Tokyo is a journey. Can there be any city that has such transformations? My life's journey began in this city, if perhaps a little late.

One day when I was not so young, at a time when my sense of reality had been progressively diluted and anaesthetized, I fell into a state in which my reality was dilapidated and ruin inevitable. As I struggled with fear and uncertainty, these symptoms became more pressing. Quickly turning off the television, unthinking I reached out for a camera, that piece of optical apparatus…this was my beginning with photography. At the time I was earnestly seeking the medium for my expression, but had not yet found the answer. Surely I was being drawn inexorably into the world of television, about to join forever the legions of zombies.

Having renounced thoughts of past days and pulled away from my resignation, I discovered the new consciousness to be a cultural wasteland. However, through photography I could begin to gain some awareness of the essence of things. Thus began the photographic life that now drew me: to the outside, to the front, to the street, and to reality and phenomenon. Photography copes with the intervals of time and space, is functional, safe, captivating and a convenient tool for homo mobilis. If used effectively, it would become the recording instrument for the channel leading to the awakening of my life, would sharpen my senses, and be a trusted guide to expand my perception.

Thus I have maintained a continuing dialogue with the camera accompanying me. Through constantly shifting reality and phenomenon, for 35 years I have continued as in a dream the camera work and techniques that could at any time become obsolete. However, Flash Up has a style, an attitude and consciousness that did not change from the beginning. It was accumulated during those four years after starting Street Photo Random in 1975. Above all, in the production of these “snapshot” photographs I searched for footholds whose existence was unknown, while ignoring the haphazardly distributed noise and information of our everyday world. It was a compellingly thrilling ordeal and, being at times on the receiving end of not a little wonderful needle that acted as a further stimulus, I have ploughed my own furrow.

And yet, this world of photography is amazing. Here is the strangeness of the unknown and the surprise of the unforeseen. Even though it lasts only a moment, this brightly shining band that stretches across the sky, it can tell the story of all existence, all affirmed and all accepted.

《Flash up》收錄了一九七〇年代日本暴走族、黑道等令人衝擊、迷惑的經典攝影作品。七〇年代正值當時GDP排名世界第二位的日本其經濟陷入極大混亂的時期，其同時間社會最黑暗面的真實寫照，裡面收錄的作品彷彿將我們拉回當年燈紅酒綠的夜晚：標準的飛機頭與暴走族、日本黑道的刺青圖騰、酒家小姐、街頭鬥毆⋯⋯。

本書為1980年白夜書房所出版《倉田精二 Flash up》的復刻版。《Flash up》不僅是倉田精二的首本攝影集，也是獲頒第5屆木村伊兵衛賞的代表作。此版本裝禎精緻，為日本知名裝禎設計師町口覚所設計，是攝影迷們不容錯過的經典收藏。