Untitled Happiness by Tjorven Bruyneel

Towards the end of the 19th century, during the gold rush, Johannesburg became an instant metropolis, which it remains until present. Urban development in South Africa cannot be fully understood without understanding its racial history.
 
Public space and urban life was color-coded during Apartheid. Historically, cities were mostly populated by the white oppressors whereas natives were temporary dwellers, labourers. Their presence in cities was only tolerated for the duration of their economically active years. Townships were created for the blacks and separated from white residential areas by buffers. The denial of common rights produced a dual city and a dual nation, diverse urban worlds existing side by side in the same geographical space. Intermingling was rendered impossible by a whole administrative apparatus of laws, prohibitions and punishments. 
 
With the end of apartheid, public space was experienced by many as out of control and dangerous. This security crisis provoked a large number of private measures which lead to gated communities and malls in where money resides. There one has the opportunity to forget the racial city through gazing into magical mirrors of frozen and imaginary pasts. Perversely, the rich and the poor share a common trait: both show a limited mobility across the city. The middle-class lives around office parks, shopping plazas and townhouse developments. All of which are beyond the reach of the poor, allowing the middle-class to live largely unaffected by poverty and blind to inequality.
 
The disadvantaged are packed together in townships and informal settlements, burdened with limited utilities, mobility, employment and opportunities for learning this in spite of discriminatory legislation. Life in Johannesburg today, founded on apartheid's ruins, exhibits a range of dualities.
 
 
Tjorven Bruyneel (b.1983) is a Belgian photographer. She received a Master degree in Photography from the Royal Academy of Fine Arts Ghent (KASK) in 2007.

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在19世紀末淘金熱的期間,約翰尼斯堡轉眼成了大都市,直至今日,它是南非最大的城市和經濟中心,同時也是世界上最大的產金中心。如果不清楚它的種族歷史,就不能充分理解南非的城市發展。

在種族隔離政策期間,公共空間和城市生活是有「顏色」標記的。歷史上,城市中大多居住著白種的壓迫者,而當地人是暫時的住民和勞工,僅僅在他們具備經濟產能時,才被容許在城市中出現;鄉鎮則是為黑人創造的,以緩衝區與白種住宅區有所分隔。基本權利的剝奪造就了雙重的城市與國家,相異的城市世界並存於同一地理空間,經由整個行政制度的法律、禁令和懲罰,交融的可能性變得幾無可能。

隨著種族隔離的結束,公共空間遭逢了種種失控和危險,這樣的安全危機激起了雨後春筍般的私人對策:資金所在之處,促成了各個封閉式社區與商場,人們凝視凍結、虛構過去的魔鏡,藉以忘記種族歧視的城市。偏偏富人與窮人仍同享了一個共通點:兩者都顯示了整個城市有限的流動性——中產階級的住所圍繞著辦公園區、購物廣場和聯排別墅的開發,這一切都令窮人無可企及,使得中產階級的生活基本上不受貧困影響,並對不平等視而不見;弱勢族群通通被塞進了小城鎮和非正規住區,在歧視性的法律之下,承受有限的公用事業、流動性、就業和學習機會的負擔。生活在約翰尼斯堡的今天,奠基在種族隔離的廢墟上,呈現出一系列的二元性。

Tjorven Bruyneel,生於1983年,比利時攝影師。