FOOD extra: Gather Journal 《Gather Journal》是一本專注於美食與烹飪的生活誌，每半年出刊一次，每一期企劃特定的主題，透過來自世界各地啓發靈感的食譜、文字和令人讚嘆的攝影，詮釋各種令人耳目一新的季節性飲食，多彩的時蔬和新鮮的海產於焉在眼前豐盛地展開。
FOOD extra: The Real Cookbook by KOREFE 這不是一本真正的食譜。但卻是貨真價實、可以吃進肚裡的一本書。由德國設計團隊KOREFE所開發，將百分之百的新鮮麵團製成書籍的造型，重新翻玩「食譜」這個詞的意涵，雖然你無法從中獲得世界上大多數食譜能給予你的下廚知識，但你可以從獲得它的那一刻起，著手創造一道料理。
FOOD extra: The Gourmand magazine 發跡於倫敦的飲食與文化刊物《The Gourmand》題材不受限某些族群的喜好風格或特定的餐飲種類，也涵括各式各樣新的餐廳、酒吧、咖啡館、小攤販等等，在書中，你可以挖掘食物和藝術間的關係，多元視點的攝影與機智的談話。
FOOD extra: Black Isle Bakery Black Isle Bakery和藝術總監型塑出完全現代的品牌形象，並與時尚攝影師Lena Emery合作，發表一系列畫面細緻簡約、彷彿帶有溫度和香氣的食物攝影——乾淨而迷人，恰似Black Isle Bakery簡單卻可口的烘焙一般。
Salaryman by Bruno Quinquet 混合了紀實風格的街頭攝影和概念藝術的特質，一方面描繪了東京上班族的日常，另一方面則是探索日本首都的季節百態。刻意巧妙地遮掩了人像的臉部，使得這個平淡無奇的攝影主題萌生了獨特的詩意和神秘感。在Bruno的鏡頭下，得以看見上班族與城市之間隱約的互動，時而詼諧、時而憂戚，透過城市的色彩，映照出標籤下的人性。
Shiyuan Liu & Cheng Ran: The Insights 從事藝術工作時，不斷衍生出思考與審視；當觀眾試圖尋找作品背後的含義時，藝術家為深省與反思留下了空間。不受限於詮釋的可能性，藝術令一個場域超越時間、疆界甚至是次元，讓觀眾宛如置身任何意想不到的地方。
Martina Giammaria: Posing Martina Giammaria, born in 1976, former archaeologist, now photographer based in Milan. She works for editorial and commercial clients with fashion, portraits and stories. She has published in commercial and independent magazines
30 Shanks by Chen Chen and Kai Williams 用三十種方式組合一些隨處可見的材料，將三十柄利器被賦予各異的靈魂，讓本是無害的平凡個體成為一柄柄傷害的象徵，它們個性迥異，有些甚至看似趣味以及溫和——然而潛伏在日常中的，總是最致命的威脅。
Home Sweet Home by Ryan Oskin Ryan Oskin is an artist currently living and working in Brooklyn, N.Y. He graduated from Pratt Institute with a BFA in Photography. His work investigates domesticity and nature through sculpture, installation, and photography. Home Sweet Home consists of plants and objects that have occupied places he has called home.
Paulushaus: San Vicente San Vicente, from a 5 weeks surftrip to the north shores of Spain by Paulushaus. He's born in 1988 in Osterholz-Scharmbeck (Bremen, Germany), now lives and works in Berlin.
Something Blue by Jui-Chung Yao, the exhibition and the book launch Established Taiwanese artist Jui-Chung Yao selected from a bulk amount of his unpublished black and white photographs taken in the last twenty years, collaborating with independent publishing house Waterfall for the photo book Something Blue. 50 photographs are included in this book, whose bookbinding design, made of artificial leather, is inspired by the vintage photo album.
Lesley Ann Ercolano: The Surprise Box In Ordinary Life 這些畫面有些是抓拍、有些是藉由等待來做好準備，當日復一日的生活因為驚奇的片刻誘發了敏銳的觀察力，就被能被快速流轉的世界感動——在Lesley的作品裡，湖面成了萬花筒、家具成了遊樂區，她最愛的貓更是時時成為她攝影中的主角，每一幀生活影像都彷彿是一齣齣飽含能量的即興劇場。
Alberto Moreu: The Edge of Tranquillity 白色和中性色的基調，詩意中帶有一種冷靜，藉由追求極簡的印象，挖掘、突出人事物的性格——影像簡單，因而敘事完整，捕捉了組成一切的氛圍。
Something Blue: A Solo Exhibition by Jui-Chung Yao Selecting from a bulk amount of his unpublished black and white photographs that were taken in the last twenty years, artist Jui-Chung Yao collaborates with independent publishing house Waterfall to publish the photo book Something Blue along with his solo exhibition.
Till Rabus: The Reality Behind Reality 大量食物、工業製品、肢體……飽含鮮豔欲滴的色澤，這些在消費社會總以一個切面被無限頌揚的現實，好似廣告畫報上煽情扭曲的美好年代。Till Rabus切割、拼湊、交纏、增殖與放大檢視它們，用光怪陸離、耐人尋味的畫面，揭示了真實背後的「真實」。
Double Perceptions by Natalie Zervou and Jack Kerruish With the developments in image making and ascension into digital photography it is necessary for us to reconsider the ways in which photographs influence our perception of reality, the functioning of memory and our trust in visual records.
Subtropico by Esteban Lahoz Subtropico is the result of the artist latest journey. Her aim was to represent it as an interior trip, an introspection through the personal experiences lived in a foreign territory. Loneliness and curiosity have been the driving force behind the capture of the images, which have created this autobiographical journey.
After Wake by Aaron McElroy After Wake is a collection of visual fragments & anonymous female subjects from the artist’s daily life. Separated from the minutia of McElroy’s lived reality, however, the photographs also allow for an endless drift of fictitious suggestion & voyeurism.
Portraits Of Library Books (2013) by Meng-Tang Chuang In this series of photography, I’m exploring the definition of the books. I am trying to rebuild the library by putting the books inside out, reading the colours and the traces on the surface of the pages instead.
